Frenetic roller-coaster ride - Capra style!

The Broadway show this film is based on ran for something like four years, such was the yearning for riotous rompathons in the 40s, and thus here the Capra adaptation is pretty much non stop mania. Led by the perfectly cast Cary Grant, the film barely pauses for breath, stopping only briefly to put a bit of creepy menace into the otherwise insane plot. Oh yes the plot, the elderly Brewster sisters are the dear hearts of the neighbourhood, but what folk don't realise is that they are poisoning elderly male visitors to their home to save them from b...

There are thirteen bodies in the cellar! Oh, piffle.

Drama critic Mortimer Brewster has just gotten married. But his newfound wedded bliss is interrupted by the disturbing discovery that his sweet old spinster aunts have been murdering lonely old men with their homemade elderberry wine, and burying the bodies in the cellar. This demented screwball comedy was the film that introduced me to Cary Grant. The utterly black comedic treatment never gets old, and the laughs never let up. Every time he gets another surprise, Grant puts on a slightly different flustered expression. Peter Lorre ...

**An extraordinary comedy that stands out for its unpretentiousness.**

I didn't have high expectations when I decided to watch this film, and I think this increased the impact it ended up having even more: based on a successful play, the film is an extraordinary comedy full of bizarreness and mischief, without a single dead moment and full of twists and turns that make us laugh and amuse us.

The script begins with the sudden marriage of Mortimer Brewster, a famous theater critic known for being a bachelor. When preparing his bags for his honeymoon trip, the young man discovers that the t...