This movie is laughably bad. Oh my goodness.

It's nice to see Nathalie Emmanuel outside of the Furiously Fast series and it's nice seeing Omar Sy and Sam Worthington again but this movie just steadily gets more campy and more cringe and more stupid as it progresses. The best scene is probably the club hit early on, and it gives you a false sense that the movie is going to be better than the poster - it isn't. In that respect, The Killer (2024) reminds me of Smile (2022). Folks went crazy for Smile. Smile went downhill after the opening scene and never recovered.

I watched Silent Night (2...

Yes, we all needed another "girl boss" flick to spark our inner woke, didn't we?

What's that you say, "hell no", well then, read on. The Killer starts off with a main character, an assassin no less, who comes across as being about as tough and intimidating, as a bowl of warm mashed potato. But hey, she has a punch bag in her bohemian bedsit. Not to mention a handler who looks like he can, in fact, handle himself.

Indeed, the underlying strategy seems to be to use visually gritty characters and cues, to drown out the entirely non-threatening nature of the lead character. Its a bit like s...

73/100

Action maestro John Woo takes his 1989 film, "The Killer", and puts a new spin on it and, at least for me, it works wonderfully. Nathalie Emmanuel, as the assassin and Omar Sy, as the cop, did a great job developing extremely likable characters and some great cat & mouse moments. I even like Sam Worthington in this, which is rare. Diana Silvers as the injured singer was sort of 'meh' but she got the job done. The dialogue seemed weak at times and the story is completely familiar but we're here for the action and on that, they delivered in spades. Enjoyable! -- DrNostromo