Rumored to have used footage salvaged from a commercial studio dumpster, the film is a commentary on Filipino onscreen macho culture and one of the rare surviving works in the brief filmmaking career of Ramon ‘RJ’ Leyran. It was a product of the last Christoph Janetzko film workshop, with a focus on experiments with optical printers, held in 1990.
R.J. Leyran
Director
The Karate Kid72%
Cuadecuc, vampir61%
Insiang71%
Living in Oblivion71%
A Movie65%
Louis Theroux: Inside the Manosphere66%
Machete Maidens Unleashed!66%
A Woman60%
Jaws @ 50: The Definitive Inside Story75%
Flamin' Hot79%
Vertigo81%
Obi-Wan Kenobi: A Jedi's Return67%
Seduced and Abandoned62%
Hearts of Darkness: A Filmmaker's Apocalypse79%
Saturday Night Fever67%
V/H/S61%
Blood Diamond75%
Boogie Nights76%
Chinatown79%
Hands of Stone66%
