Known For
Directing
Known Credits
14
Gender
Female
Birthday
Birthday not available
Place of Birth
Winnipeg, Canada
Kier-La Janisse (born 1972) is a Canadian film producer, programmer, founder of international horror school The Miskatonic Institute of Horror Studies, and author of A Violent Professional: The Films of Luciano Rossi and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films. Her feature directorial debut, the documentary Woodlands Dark and Days Bewitched: A History of Folk Horror, was released in 2021.
Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau
Eli Roth's History of Horror
Woodlands Dark and Days Bewitched: A History of Folk Horror
Tales of the Uncanny
Celluloid Horror
1000 Women in Horror
Parasite Memories: The Making of 'Shivers'
Raw, Rough and Rabid: The Lacerating Legacy of Cinépix
The Reluctant Icon: A Tribute to Laura Gemser
A Tribute To Karin Schubert: The ‘Nackedei’ Actress
| 2026 | The War Game at Cinecity...Executive Producer | |
| 2025 | The Occupant of the Room...Producer | |
| 2023 | Ajita Wilson: An Elusive Icon...Producer | |
| 2023 | The Naked Eye: Sex and the Mondo Film...Producer | |
| 2023 | I'm Not a Guru...Executive Producer | |
| 2023 | To Fire You Come at Last...Executive Producer | |
| 2021 | The Kid from a Kibbutz: Daliah Lavi and the Road to Il Demonio...Producer | |
| 2021 | Woodlands Dark and Days Bewitched: A History of Folk Horror...Producer | |
| 2021 | Blood in the Streets: The Quinqui Film Phenomenon...Producer | |
| 2020 | Tales of the Uncanny...Producer | |
| 2019 | From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film...Producer | |
| 2019 | Tights Worship: Inside the Practices of The Rita...Producer | |
| 2017 | We Always Find Ourselves in the Sea...Executive Producer | |
| 2012 | Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s...Producer | |
| Terminal City Blues — Vancouver Onscreen In Out of the Blue...Producer | ||
| The Fated Hour...Executive Producer | ||
| Take My Body: The Journey of a Blow-up Doll...Producer |
| 2026 | CAMP...Thanks | |
| 2021 | A Folk Horror Tale...Script |
| 2025 | The Occupant of the Room...Director | |
| 2024 | The Art of the Calendar...Director | |
| 2024 | The Haunted Season...Director | |
| 2023 | The Reluctant Icon: A Tribute to Laura Gemser...Director | |
| 2023 | A Tribute To Karin Schubert: The ‘Nackedei’ Actress...Director | |
| 2021 | Woodlands Dark and Days Bewitched: A History of Folk Horror...Director | |
| 2021 | Blood in the Streets: The Quinqui Film Phenomenon...Director | |
| 2019 | From the Woods to the Cosmos: John Leman Riley on the History of Soviet Fantasy and Sci-Fi Film...Director | |
| Killing for Culture: The Birth of Atrocity Cinema...Director | ||
| Take My Body: The Journey of a Blow-up Doll...Director |
| 2025 | The Occupant of the Room...Screenplay | |
| 2024 | The Haunted Season...Writer | |
| 2023 | The Reluctant Icon: A Tribute to Laura Gemser...Writer | |
| 2021 | Woodlands Dark and Days Bewitched: A History of Folk Horror...Writer | |
| Terminal City Blues — Vancouver Onscreen In Out of the Blue...Writer | ||
| Killing for Culture: The Birth of Atrocity Cinema...Adaptation |
| 2026 | Joan Collins: Queen Of The Horror Filmsas Herself | |
| 2025 | 1000 Women in Horroras Self | |
| 2025 | The Stone Forestas Narrator | |
| 2024 | Kier-La Janisse on Cockfighteras | |
| 2023 | The Reluctant Icon: A Tribute to Laura Gemseras Narrator | |
| 2023 | A Tribute To Karin Schubert: The ‘Nackedei’ Actressas Narrator | |
| 2021 | Woodlands Dark and Days Bewitched: A History of Folk Horroras Self | |
| 2020 | Tales of the Uncannyas Self | |
| 2018 | Eli Roth's History of Horroras Self | |
| 2015 | Raw, Rough and Rabid: The Lacerating Legacy of Cinépixas Herself | |
| 2014 | Parasite Memories: The Making of 'Shivers'as Self | |
| 2014 | Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreauas Self | |
| 2004 | Celluloid Horroras Herself | |
| Take My Body: The Journey of a Blow-up Dollas Self |
