"Closet Film" flickers hues of white and yellow intermittently. Stretching to its halfway point, the frame cuts to black as a myriad of blues barrage across the frame, before returning to the film’s original abstract yellow and white sequencing. Near the end, a lone human actor opaquely appears. The film concludes on a shot of what is seemingly a marred closet wall.
JoAnn Elam
Director
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