The life of Juan José Gorasurreta is pierced by images. In his new feature film, the historic film society programmer appropriates the films that made him in order to find new relationships and patterns and thus generate a convergence between his personal life, that of Argentina and that of cinema. In The Absences his travels coexist with Orson Welles, activism, Fernando Birrri, the Cordobazo, his studies, Eva Landeck, family, Carlos Echeverría, the Trelew Massacre, Nagisa Ōshima, censorship, film societies, the Malvinas war, his short films. The randomness of this list vanishes as the film progresses, and gives way to a synapse that is as logical as it is moving. “It is a portrait on how Argentine history and my encounter with films designed my sensitive areas” —as he did with his own story, no one could define The Absences better than Gorasurreta himself.
Juan José Gorasurreta
Director, Writer
Lionel Messi: Destiny78%
Public Speaking70%
The Class of ‘9271%
Seduced and Abandoned62%
Directed by John Ford70%
John Candy: I Like Me78%
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty77%
Iron Maiden: Burning Ambition86%
180° South72%
Elijo creer76%
Cuadecuc, vampir61%
My Mom Jayne80%
I Am Heath Ledger74%
A Plastic Ocean75%
El Apocalipsis de san Juan82%
Love, Antosha74%
Maternal Instinct71%
McQueen74%
Night Will Fall76%
The Curious Birth of Benjamin Button69%