Known For
Directing
Known Credits
17
Gender
Male
Birthday
July 18, 1921 (104 years old)
Place of Birth
London, UK
Richard Leacock (July 18, 1921 – March 15, 2011) was a pioneering American-born filmmaker, widely regarded as one of the founding figures of the cinéma vérité movement. He was a key influence on the development of observational documentary filmmaking, known for his innovative use of handheld cameras and his emphasis on capturing spontaneous, real-time events. Leacock's most notable works include Primary (1960), which followed John F. Kennedy and Hubert Humphrey during the 1960 Democratic primary campaign, and Chronicle of a Summer (1961), co-directed with Jean Rouch, a landmark film in the cinéma vérité genre. Throughout his career, Leacock collaborated with other influential filmmakers, including Robert Drew and D.A. Pennebaker, and helped shape the way documentaries were made. His legacy continues to influence contemporary documentary filmmakers.
| 2023 | Monica in the South Seas...Camera Operator | |
| 2011 | BodySongs...Camera Operator | |
| 1992 | Chuck Berry: Rock and Roll Music...Camera Operator | |
| 1987 | Jimi Plays Monterey...Camera Operator | |
| 1987 | Shake! Otis at Monterey...Camera Operator | |
| 1973 | Little Richard: Keep on Rockin'...Director of Photography | |
| 1971 | 1 P.M....Director of Photography | |
| 1970 | Queen of Apollo...Camera Operator | |
| 1970 | Original Cast Album: Company...Director of Photography | |
| 1968 | Monterey Pop...Camera Operator | |
| 1968 | French Lunch...Director of Photography | |
| 1967 | A Stravinsky Portrait...Director of Photography | |
| 1964 | Campaign Manager...Director of Photography | |
| 1962 | Jane...Director of Photography | |
| 1960 | Primary...Director of Photography | |
| 1960 | Primary...Camera Operator | |
| 1960 | ABC Close-Up: Yanki, No!...Director of Photography | |
| 1960 | Christopher and Me...Director of Photography | |
| 1960 | Integration Report 1...Camera Operator | |
| 1957 | American Football...Director of Photography | |
| 1956 | A Conversation with Marcel Duchamp...Director of Photography | |
| 1954 | Toby and the Tall Corn...Camera Operator | |
| 1954 | Jazz Dance...Director of Photography | |
| 1948 | Louisiana Story...Director of Photography | |
| 1947 | To Hear Your Banjo Play...Director of Photography |
| 2008 | A President to Remember: In the Company of John F. Kennedy...Cinematography | |
| 2002 | Monterey Pop - The Outtake Performances...Cinematography | |
| 1971 | Maidstone...Cinematography | |
| 1963 | The Chair...Cinematography | |
| 1961 | On the Pole: Eddie Sachs...Cinematography |
| 2008 | A President to Remember: In the Company of John F. Kennedy...Editor | |
| 1967 | A Stravinsky Portrait...Editor | |
| 1963 | The Chair...Editor | |
| 1960 | Primary...Editor | |
| 1954 | Toby and the Tall Corn...Editor |
| 1984 | Lulu in Berlin...Producer | |
| 1971 | 1 P.M....Producer | |
| 1965 | Elizabeth and Mary...Producer | |
| 1960 | ABC Close-Up!...Producer | |
| 1960 | Frames of Reference...Producer | |
| 1948 | Louisiana Story...Associate Producer |
| 1954 | Toby and the Tall Corn...Writer | |
| 1935 | Canary Island Bananas...Writer |
| 2023 | Monica in the South Seasas Self | |
| 2016 | Robert Drew & Associates at the Museum of Toleranceas Self | |
| 2014 | How To Smell A Rose: A Visit with Ricky Leacock at his Farm in Normandyas Self | |
| 2012 | Ricky on Leacockas Self | |
| 2011 | Mario Ruspoli, Prince of the Whalesas Self | |
| 2010 | A Boatload of Wild Irishmenas Self | |
| 2008 | Morris Engel: The Independentas Self | |
| 2000 | The Last Documentaryas Self | |
| 1992 | Cinéma! Cinéma! The French New Waveas Self | |
| 1989 | Message to Manas Self | |
| 1987 | Working Girlsas Joseph | |
| 1985 | Sherman's Marchas Self - Historical Narration (voice) | |
| 1984 | Lulu in Berlinas Self - Interviewer | |
| 1984 | Ein Film für Bossak und Leacockas | |
| 1975 | Solstice and Solyankaas | |
| 1972 | Reality's Invisibleas Self | |
| 1971 | 1 P.M.as Self |