My aim is to create a highly compressed museum of cinema, consisting of some of the most notoriously engaging, difficult, and lengthy works of film history—those nearly invisible works that explore the limit conditions of film. Works that have become invisible precisely because of their status as “classics.” The experiment is to see just what comes to light when these works are compressed into a familiar yet brief span of time, where one might hold the whole film in memory at once, or refresh one’s memory in a Proustian rush of images, or simply experience that energy of delusion.
Keith Sanborn
Director
V/H/S60%
These Amazing Shadows73%
The Director and the Jedi72%
Unthinkable68%
A Woman60%
Porno59%
Black Mirror77%
Curve69%
Competition61%
House of Wax69%
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty77%
Happy Accidents68%
Mary Shelley's Frankenstein64%
V/H/S/9461%
Red Nose Day Actually70%
Dolemite Is My Name69%
Stardust Memories69%
The Chaplin Revue73%
Shanghaied59%
Mad City62%
