"The victims of today can become the criminals of tomorrow."
In his studio, in his car, Gérald Fox follows the elusive Boltanski who, in his installations, makes use of portraits, newspaper clippings, magazines, family albums. The photographic approach, endlessly recomposed, proceeds by juxtaposition and accumulation. Each shot, framed in black, is lit by visible bulbs, the mass effect restoring the individual: walls of votive images that question the memory, our dark side, the inevitable passage of time, the traces left behind. Between autofiction and reality, Boltanski: artist or maker (of beauty)?
Gerald Fox
Director
The Class of ‘9271%
Public Speaking70%
McQueen74%
Above Majestic73%
In the Realms of the Unreal71%
Directed by John Ford70%
180° South72%
Seduced and Abandoned62%
My Mom Jayne80%
Voyeur59%
John Candy: I Like Me78%
Lionel Messi: Destiny78%
LA Originals69%
Maternal Instinct71%
Night Will Fall76%
Dawg Fight65%
Iron Maiden: Burning Ambition86%
Baraka82%
Welcome to Chechnya69%
The Cheshire Murders65%
