Diego Poloni is an award-winner music producer, film composer and sound artist which worked on 30+ movies, several award winners, being nominated for Best Original Film Score for "Castanha" (2014) at the 2015 Gran Prize of Brazilian Cinema. Also worked on special projects like composing and performing live original soundtracks for silent movies such as Robert Wiene’s "Orlacs Hände" (1924) and "Genuine" (1920), F. W. Murnau's "Nosferatu" (1922), all three commissioned by the Goethe Institut; Mario Peixoto’s "Limite" (1931), commissioned by Centro Cultural Santander; Tod Browning's "The Unknown", commissioned by The Ling Institute; Musidora's "Pour Don Carlos" (1927), commissioned by Caixa Cultural, among others. As a sound artist he worked in several art pieces, art films and installations, having works exhibited at the White Cubicle Toilet Gallery and Tate Modern, both in London, United Kingdom, among others.