When Susan Rennie retired from academia, she returned to her first love – photography. With humor and wit, Rennie’s photographic interventions offer a feminist critique of the conventional canon of art history, and an unabashed embrace of her elder, queer identity. The results are juicy, eye-opening, and often hilarious.
Cheri Gaulke
Director, Writer
Nothing Like a Dame68%
Feminists: What Were They Thinking?75%
She's Beautiful When She's Angry73%
Love, Marilyn66%
This Changes Everything62%
McCullin76%
Frida68%
Heart of a Dog65%
Mapplethorpe: Look at the Pictures69%
Love, Gilda72%
Nude93%
In the Realms of the Unreal71%
Harry Dean Stanton: Partly Fiction69%
Fuck64%
To Be Takei71%
Rich Hill69%
My Mom Jayne80%
The Art of the Steal69%
Miss Representation69%
All the Beauty and the Bloodshed71%
