Known For
Directing
Known Credits
3
Gender
Female
Birthday
Birthday not available
Place of Birth
Jessica Sarah Rinland is an Argentine-British filmmaker. She is a recipient of numerous prizes including Special Mention at Locarno Film Festival and Best Film at DocumentaMadrid, Primer Premio at BIM, Arts + Science Award at Ann Arbor Film Festival, and Massachusetts Institute of Technology’s Schnitzer prize for excellence in the arts. She has had retrospectives of her films at Anthology Film Archives, Open City Documentary Film Festival, Doc’s Kingdom, Aricadoc, Curtocircuito, London Short Film Festival, and Flaherty Film Seminar. Her films are held in the British Film Institute’s collections.
| 2025 | Collective Monologue...Director | |
| 2025 | Repetición...Director | |
| 2024 | Extramission: The Capture of Glowing Eyes...Director | |
| 2022 | Puerta a Puerta...Director | |
| 2022 | Querida Chick: Jessica Sarah Rinland to Chick Strand...Director | |
| 2021 | Sol de Campinas...Director | |
| 2019 | Those That, at a Distance, Resemble Another...Director | |
| 2018 | Black Pond...Director | |
| 2016 | Y Bera : Aguas de Luz...Director | |
| 2016 | The Blind Labourer...Director | |
| 2016 | Expression of the Sightless...Director | |
| 2016 | The Flight of an Ostrich (Schools Interior)...Director | |
| 2016 | We Account the Whale Immortal...Director | |
| 2015 | Like Lust...Director | |
| 2015 | Necropsy of a Harbour Porpoise (Seeing From our Eyes into Theirs)...Director | |
| 2014 | Not as Old as the Trees...Director | |
| 2013 | Description of a Struggle...Director | |
| 2013 | Adeline for Leaves...Director | |
| 2013 | A Boiled Skeleton...Director | |
| 2012 | Electric Oil...Director | |
| 2010 | Nulepsy...Director | |
| 2008 | Darse Cuenta...Director |
| 2025 | Collective Monologue...Writer | |
| 2016 | The Blind Labourer...Writer | |
| 2013 | Adeline for Leaves...Writer |
| 2025 | Collective Monologue...Producer | |
| 2022 | Puerta a Puerta...Producer | |
| 2021 | Sol de Campinas...Producer | |
| 2019 | Those That, at a Distance, Resemble Another...Producer | |
| 2016 | The Blind Labourer...Producer | |
| 2016 | Expression of the Sightless...Producer | |
| 2013 | Adeline for Leaves...Producer |
| 2025 | Collective Monologue...Editor | |
| 2022 | Puerta a Puerta...Editor | |
| 2021 | Sol de Campinas...Editor | |
| 2019 | Those That, at a Distance, Resemble Another...Editor | |
| 2016 | The Blind Labourer...Editor |
| 2025 | Collective Monologue...Director of Photography | |
| 2023 | Samsara...Director of Photography | |
| 2022 | Puerta a Puerta...Director of Photography | |
| 2021 | Sol de Campinas...Director of Photography | |
| 2019 | Those That, at a Distance, Resemble Another...Director of Photography | |
| 2018 | Boys on Film 18: Heroes...Director of Photography | |
| 2017 | The Colour of His Hair...Director of Photography | |
| 2016 | The Blind Labourer...Director of Photography | |
| 2016 | Expression of the Sightless...Director of Photography | |
| 2010 | Nulepsy...Director of Photography |
| 2023 | Rituales de registro...Thanks | |
| 2020 | Santa Fe - notas, 2017-2019...Thanks |
| 2022 | Puerta a Puerta...Sound | |
| 2019 | Those That, at a Distance, Resemble Another...Foley Artist |
| 2026 | Little, Big, and Faras Sarah | |
| 2019 | Those That, at a Distance, Resemble Anotheras (voice) | |
| 2016 | The Blind Laboureras (voice) |
