[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
Louis Lumière
Director
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The Class of ‘9271%
A Plastic Ocean75%
In the Realms of the Unreal71%
Sherman's March67%
Daguerréotypes73%
180° South72%
Caicedo (with Pole)60%
Les Plages d'Agnès77%
Above Majestic73%
Seduced and Abandoned62%
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