Known For
Directing
Known Credits
24
Gender
Male
Birthday
January 25, 1926 (100 years old)
Place of Birth
Alexandria, Egypt
Youssef Chahine (born in Alexandria, Egypt, 1926) started studying in a friars' school and then turned to Victoria College until High School Certificate. After one year at the University of Alexandria, he moved to the U.S. and spent two years at the Pasadena Play House, taking courses on film and dramatic arts. After coming back to Egypt, cinematographer Alevise Orfanelli helped him into the film business. His film debut was Baba Amin (1950): one year later, with Son of the Nile (1951) he was first invited to the Cannes Film festival. In 1970, he was awarded a Golden Tanit at the Carthage Festival. With Le moineau (1973), he directed the first Egypt-Algeria co-production. He won a Silver Bear in Berlin for Alexandria... Why? (1979), the first installment in what proved to be an autobiographic trilogy, completed with Hadduta Masriya (1982)(An Egyptian Story (1982)) and Alexandria: Again and Forever (1989).
In 1992, Jacques Lassalle proposed him to stage a piece of his choice for Comédie Française: Chahine chose to adapt Albert Camus' "Caligula," which proved hugely successful. The same year he started writing The Emigrant (1994), a story inspired by the Biblical character of Joseph, son of Jacob. This had long been a dream project, and he finally got to shoot it in 1994. In 1997, 46 years and 5 invitations later, he was again selected Hors Competition in Cannes with Destiny (1997).
| 2007 | Chaos, This Is?...Producer | |
| 2001 | Silence... We're Rolling...Producer | |
| 1999 | The Other...Producer | |
| 1994 | The Emigrant...Producer | |
| 1982 | An Egyptian Story...Producer | |
| 1979 | Alexandria… Why?...Producer | |
| 1978 | Shafiqa and Metwally...Producer | |
| 1977 | The Water-Carrier Is Dead...Producer | |
| 1976 | Return of the Prodigal Son...Producer | |
| 1972 | The Sparrow...Producer |
| 2004 | Alexandria... New York...Writer | |
| 2002 | September 11...Writer | |
| 2001 | Silence... We're Rolling...Writer | |
| 1999 | The Other...Writer | |
| 1998 | Kolha Khatwa...Writer | |
| 1997 | Destiny...Writer | |
| 1994 | The Emigrant...Writer | |
| 1989 | Alexandria Again and Forever...Writer | |
| 1986 | The Sixth Day...Writer | |
| 1985 | Adieu Bonaparte...Writer | |
| 1982 | An Egyptian Story...Writer | |
| 1979 | Alexandria… Why?...Writer | |
| 1976 | Return of the Prodigal Son...Writer | |
| 1973 | Entelak...Writer | |
| 1972 | The Sparrow...Writer | |
| 1972 | Salwa, the Little Girl Who Talks to Cows...Writer | |
| 1971 | The Choice...Writer | |
| 1971 | Sands of Gold...Writer | |
| 1968 | The Nile and the Life...Writer | |
| 1963 | Saladin...Screenplay | |
| 1956 | Struggle in the Harbor...Screenplay | |
| 1956 | Struggle in the Harbor...Story | |
| 1954 | The Devil of the Desert...Screenplay | |
| 1953 | Women Without Men...Writer | |
| 1952 | Lady of The Train...Screenplay | |
| 1952 | The Great Clown...Writer | |
| 1951 | Son of the Nile...Writer | |
| 1950 | Baba Amin...Writer | |
| 1944 | School life...Writer |
| 2001 | Silence... We're Rolling...Music | |
| 1986 | The Sixth Day...Songs |
| 2019 | Let's Talkas Self (archive footage) | |
| 2019 | Into Studio Masras Self | |
| 2011 | The Story of Film: An Odysseyas Self | |
| 2009 | Chahine…Why?as Self | |
| 2006 | Ouijaas | |
| 2002 | Women Who Loved Cinemaas Self | |
| 2000 | Kiarostami in Close upas as Self | |
| 1998 | Concerto in Darb Saadaas | |
| 1992 | Chahine & Coas | |
| 1991 | Cairo as Told by Youssef Chahineas Self | |
| 1989 | Alexandria Again and Foreveras Yehia Eskendarany / Marc Antoine / Sostratus / Hephaestion | |
| 1987 | Matin Bonheuras Self | |
| 1987 | Trioas Self | |
| 1987 | Arab Cameraas Self | |
| 1986 | The Sixth Dayas Rafah | |
| 1982 | An Egyptian Storyas Old Yehia | |
| 1981 | Cinématon XIVas N°133 | |
| 1974 | Spécial cinémaas Self | |
| 1964 | Dawn of a New Dayas Hamada | |
| 1959 | Ismail Yassine in the Air Forceas | |
| 1958 | Cairo Stationas Qinawi | |
| 1953 | Women Without Menas | |
| شاهين ابن النيلas himself | ||
| Shaheen... Why?as self |