Known For
Directing
Known Credits
9
Gender
Male
Birthday
January 1, 1953 (73 years old)
Place of Birth
France
Born in France in 1953. As a teacher in the United States, he became conscious of the need to lead a "cultural battle". Filmmaker and film critic, he organizes experimental cinema events in France and other countries. After his film and philosophy studies, he became very influenced by contemporary art (Russian formalism and minimal structuralism) and learned music, as well as by his friendship with Paul Sharits. He strives to find a balance between formalism and lyricism. He himself explains that the common denominator between all his films is that they are all constructed according to the principle : "fragility" - "disappearance" - "disintegration". In 1982 he co-founds Light Cone with Miles McKane. Among others he has published: Musique film with Deke Dusinberre (1986), "Mots: dites, image" with Miles McKane (1988), Poussières d'images (1998) and finally, "Monter/Sampler" with J.-M. Bouhours (2000).
| 2026 | Salitre no more...Director | |
| 2024 | Néantir...Director | |
| 2024 | Vignette...Director | |
| 2023 | enough...Director | |
| 2023 | EVANESCENT NSW...Director | |
| 2023 | DKR 4395...Director | |
| 2020 | co vid e...Director | |
| 2019 | Derrubada não!...Director | |
| 2018 | basta...Director | |
| 2014 | Schismes...Director | |
| 2011 | Entre-deux-mondes...Director | |
| 2010 | Meeting Paul in Buffalo...Director | |
| 2009 | WARONGAZA...Director | |
| 2008 | Spin...Director | |
| 2008 | Affection Exonerate...Director | |
| 2006 | About a curfew...Director | |
| 2006 | Hezraelah...Director | |
| 2006 | , d’ailleurs...Director | |
| 2005 | Volta Ao Longe...Director | |
| 2004 | Est Absent...Director | |
| 2003 | Da Galpão da Dona Ana a Carrancas em Petrolina...Director | |
| 2001 | Tu, Sempre...Director | |
| 1999 | Work and Progress...Director | |
| 1998 | Des rives...Director | |
| 1997 | Still Life...Director | |
| 1994 | New York Long Distance...Director | |
| 1992 | SID A IDS...Director | |
| 1991 | We've Got the Red Blues...Director | |
| 1991 | Soft Collisions Dream of a Good Soldier...Director | |
| 1991 | Quatr'un...Director | |
| 1989 | Spetsai...Director | |
| 1989 | Tas de beaux gosses...Director | |
| 1989 | Ligne d'eau...Director | |
| 1988 | 29 10 88...Director | |
| 1987 | Divers-epars...Director | |
| 1986 | VO/ID...Director | |
| 1986 | Amoroso...Director | |
| 1985 | Journaux 1983-1985...Director | |
| 1985 | RR...Director | |
| 1984 | Enjeux...Director | |
| 1984 | Sans titre 84...Director | |
| 1983 | Miles...Director | |
| 1982 | Disjet...Director | |
| 1982 | Éliclipse...Director | |
| 1980 | According to......Director | |
| 1980 | Temps de mètre...Director | |
| 1979 | Boucle de papier...Director | |
| 1978 | Très rare film...Director | |
| 1978 | Mis en pièces...Director | |
| 1978 | Wanderer...Director | |
| 1977 | Fugue chromatique...Director | |
| 1977 | Homovie...Director | |
| 1977 | Stop-danger-sens-unique-interdit...Director | |
| 1977 | Prélude au carré...Director | |
| 1976 | R...Director | |
| 1975 | VOI/S/C/I IMAGE...Director |
| 2026 | Salitre no more...Director of Photography | |
| 1979 | Forget Me Not...Camera Operator |
| 2026 | Salitre no more...Editor | |
| 2003 | Da Galpão da Dona Ana a Carrancas em Petrolina...Editor | |
| 1999 | Work and Progress...Editor |
| 2026 | Salitre no more...Writer | |
| 1994 | New York Long Distance...Writer |
| 2003 | Da Galpão da Dona Ana a Carrancas em Petrolina...Cinematography | |
| 2003 | Nikita Kino...Thanks | |
| 1999 | Work and Progress...Cinematography |
| 2003 | Da Galpão da Dona Ana a Carrancas em Petrolina...Producer |
| 1999 | Work and Progress...Sound Editor |
| 2008 | Spinas Himself | |
| 2008 | Pourquoi "Light Cone" ?as Self | |
| 1994 | New York Long Distanceas (voice) | |
| 1993 | Portraitureas | |
| 1984 | Cinématon XXXIIIas N°322 | |
| 1984 | Portraits / Mirrorsas | |
| 1978 | Cinématonas N°322 | |
| Cinématon n°322 : Yann Beauvaisas self | ||
| Cinexpérimentaux #8: Cooperative Light Coneas Self |