Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Étienne O'Leary
Director
Michèle Giraud
Self

Yves Beneyton
Self

Pierre Clémenti
Self

Margareth Clémenti
Self
Francis Conrad
Self
Barbara Girard
Self
Billy Copley
Self
Michael Ratledge
Self
Cyrille Weiss
Self
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty77%
Tricked: The Documentary61%
In the Realms of the Unreal71%
42 Up75%
Seduced and Abandoned61%
John Candy: I Like Me78%
Looking for Richard68%
35 Up76%
Western Stars70%
Love, Antosha74%
28 Up75%
Cuadecuc, vampir61%
Heart of a Dog65%
Directed by John Ford70%
The Crash69%
The Class of ‘9271%
Public Speaking70%
21 Up74%
Cameraperson67%
Harmontown66%