Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
Malcolm Le Grice
Director
Sea Scouts63%
His Mouse Friday64%
Pluto's Sweater68%
Perfect Day69%
Mickey's Grand Opera64%
Mickey's Delayed Date65%
Joker: Put on a Happy Face80%
The Pointer60%
Chips Ahoy66%
Being James Bond77%
Thicker Than Water73%
Snow Steam Iron75%
Two Little Indians68%
Canine Caddy65%
Reservoir Dogs74%
Our Wife70%
Donald and Pluto66%
Solid Serenade74%
Extremis69%
Towed in a Hole69%
