Known For
Art
Known Credits
1
Gender
Male
Birthday
April 4, 1938 (88 years old)
Place of Birth
Moscow, RSFSR, USSR
Aleksandr Boym was a Soviet and Russian production designer, scenographer, painter, and art teacher.
| 2010 | The Chairs...Production Design | |
| 2009 | Leningrad...Production Design | |
| 2003 | Poor Nastya...Production Design | |
| 2003 | A Cat and a Half...Production Design | |
| 2000 | The Romanovs: A Crowned Family...Production Design | |
| 1999 | Eugene Onegin...Production Design | |
| 1990 | Chernov/Chernov...Production Design | |
| 1988 | Aelita, Do Not Pester Men...Production Design | |
| 1988 | At the End of the Night...Production Design | |
| 1988 | Shura & Prosvirnjak...Production Design | |
| 1985 | The Man With the Accordion...Production Design | |
| 1985 | The Acolyte...Production Design | |
| 1984 | Pippi Longstocking...Production Design | |
| 1983 | Tears Were Falling...Production Design | |
| 1981 | The Vacancy...Production Design | |
| 1981 | The Woman in White...Production Design | |
| 1980 | The Rescuer...Production Design | |
| 1979 | Stalker...Production Design | |
| 1979 | By Faith and Honor...Production Design | |
| 1976 | Diamonds for the Dictatorship of the Proletariat...Production Design | |
| 1975 | Under the Roofs of Montmartre...Production Design | |
| 1974 | Autumn...Production Design | |
| 1974 | Conscience...Production Design | |
| 1974 | Adventures in the City which Doesn't Exist...Production Design | |
| 1973 | Irkutsk Story...Production Design | |
| 1973 | Much Ado About Nothing...Production Design | |
| 1971 | You and Me...Production Design | |
| 1971 | The Golden Gates...Production Design | |
| 1970 | King Stag...Production Design | |
| 1969 | In the Thirteenth Hour of the Night...Production Design | |
| 1969 | A Nest of Gentry...Production Design | |
| 1967 | Not the Most Lucky Day...Production Design | |
| 1966 | The Last Crook...Production Design | |
| 1965 | The City of Masters...Production Design | |
| 1962 | Hey, Somebody!...Production Design |
| 2009 | Rerberg and Tarkovsky. The Reverse Side of 'Stalker'as |