Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Carmelo Bene
Director, Writer
Hollywood Dirt63%
Fifty Shades Freed66%
Behind the Candelabra65%
The Secret: Dare to Dream73%
Pride and Prejudice69%
Nights in Rodanthe62%
5 รจ il numero perfetto62%
My Policeman75%
Fifty Shades Darker64%
Leaving Las Vegas72%
Written on the Wind69%
Turtles All the Way Down72%
Gabriel's Inferno: Part II83%
All My Life77%
The Man from Elysian Fields58%
A Journal for Jordan69%
Newness60%
Nightmare Alley71%
Fabbricante di lacrime65%
Starving in Suburbia65%
