Cast as an “electronic erotic seductress,” the multiple costumes and roles performed by Jonas critically examine the ever-changing, but consistently unequal roles of women. The camera gazes at Jonas, implicating the viewer in the work and further, with her body. Her intentional de-synchronization of the monitor's receiving and transmitting frequencies results in the on-screen image's repeated vertical descent. Creating a sense of fragmentation, the vertical roll relentlessly pounds at the images of the artist as she moves through a series of performed identities. Characterized a "disjunctive self portrait" by the Electronic Arts Intermix, the image content of the work is strongly mediated by the mirror-like function of the camera, scrutinized by the lens and subjected to violence by the vertical roll.
Joan Jonas
Director
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Saturday Night Fever67%
The Voyeurs65%
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Moonwalker71%
Factory Girl59%
Under the Silver Lake63%
My Fair Lady75%
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Everybody’s Everything84%
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Original Sin61%
Ex Machina75%
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Crimes of the Future60%