Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
Peter Gidal
Director
Leaving Las Vegas72%
Score: A Film Music Documentary71%
The Fall76%
Everybody’s Everything84%
The Secret Life of Walter Mitty72%
Music by John Williams80%
Aftersun76%
How High63%
The Map of Tiny Perfect Things71%
Snack Shack71%
Teen Beach Movie69%
Maria by Callas73%
13 Going on 3067%
Vacancy62%
The Life of Chuck72%
Saving Mr. Banks73%
Columbus70%
Springsteen: Deliver Me from Nowhere66%
Super 867%
Hard Luck69%
