Known For
Directing
Known Credits
24
Gender
Not set
Birthday
June 24, 2003 (23 years old)
Place of Birth
California, USA
Elaine Fuentes (born June 24, 2003) is a genderfluid American video artist, filmmaker, musician, and actress. Their films are personal and raw documentations of their life, their body, and time.
| 2026 | Either Way My Body is Illegal...Director | |
| 2026 | There's Hell in Hello, But More in Goodbye (For Henry Jaglom)...Director | |
| 2026 | January 24th 2025: Anniversary #1...Director | |
| 2025 | Memory is Far Away: A Non-Essay...Director | |
| 2025 | A Walk From My Home to the End of the Railroad Tracks...Director | |
| 2025 | I Wish I Were a Camera...Director | |
| 2023 | Saturn Devouring His Daughter...Director | |
| 2023 | Symbolic Interactionism...Director | |
| 2023 | Necessity: Transgender Touch...Director | |
| 2023 | That's Not Me...Director | |
| 2023 | Necessity: Transgender Kiss...Director | |
| 2023 | Breaking Up...Director | |
| 2023 | Go Nigel...Director | |
| 2023 | Friday...Director | |
| 2023 | MCI-LAX...Director | |
| 2023 | Scars Painted Over...Director | |
| 2023 | Sea of Black, Glimmer of Light...Director | |
| 2022 | Dysphoria...Director | |
| 2020 | Everyday...Director |
| 2026 | Either Way My Body is Illegal...Editor | |
| 2026 | There's Hell in Hello, But More in Goodbye (For Henry Jaglom)...Editor | |
| 2026 | January 24th 2025: Anniversary #1...Editor | |
| 2025 | Memory is Far Away: A Non-Essay...Editor | |
| 2025 | A Walk From My Home to the End of the Railroad Tracks...Editor |
| 2026 | Either Way My Body is Illegal...Cinematography | |
| 2026 | There's Hell in Hello, But More in Goodbye (For Henry Jaglom)...Cinematography | |
| 2026 | Actressfilmmaker...Cinematography | |
| 2026 | January 24th 2025: Anniversary #1...Cinematography | |
| 2025 | Memory is Far Away: A Non-Essay...Cinematography | |
| 2025 | Last Year's Calendar...Cinematography | |
| 2025 | A Walk From My Home to the End of the Railroad Tracks...Cinematography | |
| 2025 | I Wish I Were a Camera...Cinematography | |
| 2024 | You Are...Cinematography | |
| 2023 | Saturn Devouring His Daughter...Cinematography | |
| 2023 | Symbolic Interactionism...Cinematography | |
| 2023 | Necessity: Transgender Touch...Cinematography | |
| 2023 | That's Not Me...Cinematography | |
| 2023 | Necessity: Transgender Kiss...Cinematography | |
| 2023 | Breaking Up...Cinematography | |
| 2023 | Go Nigel...Cinematography | |
| 2023 | Friday...Cinematography | |
| 2023 | MCI-LAX...Cinematography | |
| 2023 | Scars Painted Over...Cinematography | |
| 2023 | Sea of Black, Glimmer of Light...Cinematography | |
| 2022 | Dysphoria...Cinematography | |
| 2020 | Everyday...Cinematography |
| 2024 | Jane is OK...Additional Photography |
| 2023 | Breaking Up...Writer |
| 2026 | Either Way My Body is Illegalas The Body | |
| 2026 | There's Hell in Hello, But More in Goodbye (For Henry Jaglom)as self (voice) | |
| 2026 | Actressfilmmakeras Camera | |
| 2026 | January 24th 2025: Anniversary #1as Self | |
| 2025 | Fixing a Popped Balloon (aka Phantom Suicides)as Elaine Fuentes | |
| 2025 | Memory is Far Away: A Non-Essayas | |
| 2025 | Last Year's Calendaras | |
| 2025 | A Walk From My Home to the End of the Railroad Tracksas self | |
| 2025 | I Wish I Were a Cameraas Elaine Fuentes | |
| 2024 | Jane is OKas | |
| 2024 | Agonyas Juicy | |
| 2023 | Saturn Devouring His Daughteras Nigel | |
| 2023 | Symbolic Interactionismas | |
| 2023 | Necessity: Transgender Touchas | |
| 2023 | That's Not Meas | |
| 2023 | Necessity: Transgender Kissas | |
| 2023 | Breaking Upas the victim | |
| 2023 | Go Nigelas | |
| 2023 | Fridayas | |
| 2023 | MCI-LAXas | |
| 2023 | Scars Painted Overas | |
| 2023 | Sea of Black, Glimmer of Lightas | |
| 2022 | Dysphoriaas | |
| 2020 | Everydayas |
