Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
Irina Evteeva
Director, Writer
Georgi Traugot
Margarita Bychkova
Semyon Furman
Boris Cherdyntsev
Tatyana Reshetnikova
Anatoli Petrov
The Fantastic Flying Books of Mr. Morris Lessmore74%
The Sandman70%
The Pointer60%
Beat the Devil70%
Monster High: Scaris City of Frights79%
Thru the Mirror71%
DC Showcase: Death84%
DC Showcase: The Phantom Stranger67%
Beyond72%
Winnie the Pooh and Tigger Too77%
Cryptozoo58%
Monster High: Why Do Ghouls Fall in Love?80%
World Record67%
Pirates of the Caribbean: Tales of the Code: Wedlocked67%
Kung Fu Panda: Secrets of the Masters65%
Arctic Dogs59%
The Country Cousin65%The Land Beyond the Sunset63%
Cosmos Laundromat63%
Сказка сказок73%
