Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
Gary Young
Director
George Eells
Writer
Francis Ford Coppola
Self
Edith Evans
Self
Peter Fonda
Self
Terry Garin
Self - Interviewer
Dustin Hoffman
Self
Isabel Jewell
Self
George Lucas
Self
Joanie Minibopper
Self
Roman Polanski
Self
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