His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
Stephen Dwoskin
Director
The Matchmaker's Playbook71%
X64%
Signs72%
Paris, Wine & Romance69%
Shuffle64%
Petals on the Wind66%
Double Holiday71%
Turkey Drop67%
Night Train to Lisbon65%
Secret Millionaire65%
Brimming with Love64%
Robin Hood64%
The Hot Spot63%
A Royal Winter71%
Flying Home59%
Attraction68%
Sisters of the Groom65%
All of My Heart: Inn Love69%
Bad Date Chronicles62%
Sharing Christmas62%
