GROUP IV: BEADED LIGHT (1970, 4 min, 16mm, silent) “In BEADED LIGHT, Gerson applies an ambiguous procedure to our perception of color and light.” –Bill Simon, ARTFORUM DISSOLVING (1970, 4 min, 16mm, silent) An ambiguous shiny grey substance at the bottom part of the frame counterpoints horizontals of clouds and fog as the camera moves up and down – shifting the perspective and therefore the space. A lone bird flies across on a perfect horizontal path. BEYOND (1970, 4 min, 16mm, silent) “The foreground discloses the red hair and the shoulders of a girl lying on a beach. [...] At the very end of the film, he raises the camera to a higher angle and the portions of the beach previously obscured by the girl’s form becomes visible and the two spaces – the girl and beach, foreground and background – are joined.” –Bill Simon, ARTFORUM
Barry Gerson
Director
The Matrix Revisited69%
A Woman60%
Room 23761%
Seduced and Abandoned62%
Alien: Containment61%
Iron Maiden: Burning Ambition86%
Slums of Beverly Hills63%
Little Women74%
The Wanderers69%
Unthinkable68%
Wonderstruck60%
The Safety of Objects65%
Bastard Out of Carolina71%
Nowhere68%
10,000 Saints59%
Radium Girls67%
The Goldfinch71%
Frankenstein Unbound58%
Diggers60%
The Fallout75%