In this non-orange negative of a hand-painted film, a series of luminously pastel shapes – often patches of color against a stark white background – are interspersed with nearly black intermittent smudges punctuating white. These visual themes develop gradually into a series of multi-colored vertical lines which weave contrapunctally in relation to the flickering (single-frame) paint shapes. Twice, a solid (as if photographed) shape is seen receding from the amalgam of paint. Masses of tiny dots and "curlicue" shapes sometimes interrupt the thematic progression from irregular paint-shape flickerings to fluidity of vertical lines: this theme eventually resolves itself through the intervention of globular shapes (most notably, brilliant orange-yellow "globs") which spread themselves over several frames and prompt the eventual amalgamation of all themes.
Stan Brakhage
Director
Under the Silver Lake63%
The Hot Spot63%
The Art of Getting By65%
I'm Thinking of Ending Things65%
The Overnight59%
Icefall63%
Vertigo81%
Everybody’s Everything84%
The Beaver63%
Good Boy70%
The Addams Family66%
One Night at McCool's58%
Shanghaied59%
The Souvenir60%
The Infiltrator66%
Combat Shock64%
A Beautiful Day in the Neighborhood69%
A Woman60%
The Picture of Dorian Gray71%
Mandy62%