The series’ latest Harald Vogl feature (from 1984) completes the filmmaker’s gradual movement away from narrative toward a vérité-style essay film. Gone are the post-punk streets of the East Village, replaced with on-the-ground footage of antiwar protests and visitors to the Vietnam Memorial in Washington DC, and observational scenes of union parades, marching bands, street dancers, and Chinatown residents back in Manhattan.
Harald Vogl
Director
Nuremberg75%
The Greatest Beer Run Ever75%
Combat Shock64%
The Cameraman78%
Casualties of War72%
The Corruptor60%
The Clock71%
Uprising65%
The Killing Fields74%
In the Realms of the Unreal71%
The Brave One66%
Medium Cool67%
Call Me Crazy: A Five Film70%
Holy Lands61%
The Safety of Objects65%
The Weather Underground67%
Civil War68%
The Believer68%
Captain America: The First Avenger70%
For Sama83%
