This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor filmed in close-up on a plain black background. Nedjar "wiggles" his camera, with Gaël Badaud manipulating a green net or a mirror, wearing a gas mask or covering his head with a red-skinned knit like a bloody balaclava, he inaugurates a search for luminous calligraphies that will soon be shared with Teo Hernandez.-- Dominique Noguez.
Michel Nedjar
Director
Entr'acte70%
Blue Velvet76%
The Last Stand of Ellen Cole81%
The Devil Conspiracy64%
Foxy Brown62%
Night Carnage59%
The Substance71%
Everybody’s Everything84%
Nicky Larson et le parfum de Cupidon64%
True Grit73%
X67%
God Is a Bullet61%
Mulholland Drive77%
Marvel One-Shot: All Hail the King68%
The Trials of Cate McCall63%
Super-héros malgré lui63%
Magazine Dreams68%
Six jours60%
Body Double67%
Réponse de femmes : Notre corps, notre sexe63%
