Known For
Camera
Known Credits
9
Gender
Male
Birthday
December 22, 1917 (108 years old)
Place of Birth
Islington, London, England, UK
Frederick William (Freddie) Francis BSC (22 December 1917 – 17 March 2007) was an English cinematographer and film director. He achieved his greatest successes in the former, including winning two Academy Awards, for Sons and Lovers (1960) and Glory (1989). As a director, he has cult status on account of his association with the British production companies Amicus and Hammer in the 1960s and 1970s.
Description above from the Wikipedia article Freddie Francis, licensed under CC-BY-SA, full list of contributors on Wikipedia.
| 1999 | The Straight Story...Director of Photography | |
| 1996 | Rainbow...Director of Photography | |
| 1994 | Princess Caraboo...Director of Photography | |
| 1993 | A Life in the Theatre...Director of Photography | |
| 1992 | School Ties...Director of Photography | |
| 1991 | Cape Fear...Director of Photography | |
| 1991 | The Man in the Moon...Director of Photography | |
| 1990 | The Plot to Kill Hitler...Director of Photography | |
| 1989 | Glory...Director of Photography | |
| 1989 | Brenda Starr...Director of Photography | |
| 1989 | Her Alibi...Director of Photography | |
| 1988 | Clara's Heart...Director of Photography | |
| 1985 | Code Name: Emerald...Director of Photography | |
| 1984 | Dune...Director of Photography | |
| 1984 | Memed My Hawk...Director of Photography | |
| 1983 | The Jigsaw Man...Director of Photography | |
| 1982 | The Executioner's Song...Director of Photography | |
| 1981 | The French Lieutenant's Woman...Director of Photography | |
| 1980 | The Elephant Man...Director of Photography | |
| 1964 | Night Must Fall...Director of Photography | |
| 1961 | The Innocents...Director of Photography | |
| 1960 | Saturday Night and Sunday Morning...Director of Photography | |
| 1960 | Sons and Lovers...Director of Photography | |
| 1960 | Never Take Sweets from a Stranger...Director of Photography | |
| 1959 | Virgin Island...Director of Photography | |
| 1958 | Room at the Top...Director of Photography | |
| 1957 | Time Without Pity...Director of Photography | |
| 1956 | A Hill in Korea...Director of Photography | |
| 1956 | Moby Dick...Second Unit Director of Photography | |
| 1954 | Monsieur Ripois...Camera Operator | |
| 1953 | Beat the Devil...Camera Operator | |
| 1953 | Twice Upon a Time...Camera Operator | |
| 1952 | Moulin Rouge...Camera Operator | |
| 1952 | 24 Hours of a Woman's Life...Camera Operator | |
| 1952 | Angels One Five...Camera Operator | |
| 1951 | The Tales of Hoffmann...Camera Operator | |
| 1950 | Golden Salamander...Camera Operator | |
| 1949 | The Small Back Room...Camera Operator | |
| 1947 | Nightbeat...Camera Operator | |
| 1947 | Mine Own Executioner...Camera Operator | |
| 1943 | The New Lot...Camera Operator |
| 1994 | Flesh and Blood: The Hammer Heritage of Horror...Thanks | |
| 1994 | Calliope...Cinematography | |
| 1960 | The Battle of the Sexes...Cinematography | |
| 1958 | Next to No Time...Cinematography | |
| 1957 | The Scamp...Cinematography |
| 1984 | What Waits Below...Story |
| 2012 | Amicus: House of Horrorsas | |
| 2010 | Cameraman: The Life and Work of Jack Cardiffas Self – Interviewee | |
| 2003 | Inside the Fear Factoryas Himself | |
| 2003 | Impressions of Duneas Self | |
| 2001 | The Terrible Elephant Man Revealedas Self | |
| 2001 | The Making of 'Cape Fear'as Self | |
| 1994 | The World of Hammeras Self (archive footage) | |
| 1994 | Flesh and Blood: The Hammer Heritage of Horroras Self | |
| 1983 | Destination Duneas Self |
