Audrius Mickevičius puts the horribly disfigured face of his murdered brother at the start of his film. It is almost a meditation about the question whether a final act like murder can be atoned for in a temporal order – and whether the passing of time allows the victim’s family to forgive. Mickevičius uses the example of two lifers (one of them gets married and wants to have children, the other pours his whole passion into an idea of craftsmanship) and a philosopher with prison experience to make that strange state of suspended life comprehensible.
Nerijus Milerius
Director
Audrius Mickevičius
Director, Writer
Georgi Tenev
Writer
Audrius Mickevičius
Himself
Rolandas Cerapokas
Himself
Rimantas Alekna
Himself
Bernard Stiegler
Himself
Ingrida Cerapokiene
Herself
Directed by John Ford70%
Sherman's March67%
28 Up75%
The Class of ‘9271%
In the Realms of the Unreal71%
Tricked: The Documentary61%
Seduced and Abandoned62%
Public Speaking70%
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty77%
Finders Keepers65%
Heart of a Dog65%
I Am Heath Ledger74%
Evil Influencer: The Jodi Hildebrandt Story62%
Lionel Messi: Destiny78%
My Mom Jayne80%
Hitchcock/Truffaut72%
McQueen74%
A Plastic Ocean75%
Nail Bomber: Manhunt65%
Elstree 197661%
