Known For
Camera
Known Credits
2
Gender
Male
Birthday
May 26, 1905 (121 years old)
Place of Birth
Del Rio, Tennessee, USA
While still a teenager, the future Academy Award-winning lensman began as an assistant cameraman in 1923 on John Ford's 1924 western saga The Iron Horse. He was then hired by the Famous Players-Lasky Studios in 1927, became a camera operator in 1928 and worked there until 1943. Guffey was hired as a Director of Photography by Columbia Pictures in 1944.
In 1957-58 he served as president of the American Society of Cinematographers (A.S.C.) for a year, and had been a long standing member.
According to film critic Spencer Selby, Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950).
| 1971 | The Steagle...Director of Photography | |
| 1970 | The Great White Hope...Director of Photography | |
| 1970 | Suppose They Gave a War and Nobody Came?...Director of Photography | |
| 1970 | Halls of Anger...Director of Photography | |
| 1969 | The Madwoman of Chaillot...Director of Photography | |
| 1969 | Some Kind of a Nut...Director of Photography | |
| 1969 | The Learning Tree...Director of Photography | |
| 1969 | Where It's At...Director of Photography | |
| 1968 | The Split...Director of Photography | |
| 1967 | The Ambushers...Director of Photography | |
| 1967 | Bonnie and Clyde...Director of Photography | |
| 1967 | How to Succeed in Business Without Really Trying...Director of Photography | |
| 1966 | The Silencers...Director of Photography | |
| 1965 | King Rat...Director of Photography | |
| 1964 | Good Neighbor Sam...Director of Photography | |
| 1964 | Flight from Ashiya...Director of Photography | |
| 1962 | Kid Galahad...Director of Photography | |
| 1962 | Birdman of Alcatraz...Director of Photography | |
| 1961 | Mr. Sardonicus...Director of Photography | |
| 1961 | Homicidal...Director of Photography | |
| 1961 | Cry for Happy...Director of Photography | |
| 1960 | Let No Man Write My Epitaph...Director of Photography | |
| 1960 | Hell to Eternity...Director of Photography | |
| 1960 | The Mountain Road...Director of Photography | |
| 1959 | Edge of Eternity...Director of Photography | |
| 1959 | They Came to Cordura...Director of Photography | |
| 1959 | Gidget...Director of Photography | |
| 1959 | Dogface...Director of Photography | |
| 1958 | Me and the Colonel...Director of Photography | |
| 1958 | Screaming Mimi...Director of Photography | |
| 1958 | The True Story of Lynn Stuart...Director of Photography | |
| 1957 | Decision at Sundown...Director of Photography | |
| 1957 | The Brothers Rico...Director of Photography | |
| 1957 | The Strange One...Director of Photography | |
| 1957 | Not One Shall Die...Director of Photography | |
| 1956 | Nightfall...Director of Photography | |
| 1956 | Storm Center...Director of Photography | |
| 1956 | The Harder They Fall...Director of Photography | |
| 1956 | Battle Stations...Director of Photography | |
| 1955 | Three Stripes in the Sun...Director of Photography | |
| 1955 | Count Three and Pray...Director of Photography | |
| 1955 | Tight Spot...Director of Photography | |
| 1955 | The Violent Men...Director of Photography | |
| 1954 | Private Hell 36...Director of Photography | |
| 1954 | Human Desire...Director of Photography | |
| 1954 | The Bamboo Prison...Director of Photography | |
| 1953 | From Here to Eternity...Director of Photography | |
| 1953 | The Last Posse...Director of Photography | |
| 1952 | Assignment: Paris...Director of Photography | |
| 1952 | The Sniper...Director of Photography | |
| 1952 | Scandal Sheet...Director of Photography | |
| 1951 | The Family Secret...Director of Photography | |
| 1951 | Two of a Kind...Director of Photography | |
| 1951 | Sirocco...Director of Photography | |
| 1950 | Emergency Wedding...Director of Photography | |
| 1950 | Convicted...Director of Photography | |
| 1950 | In a Lonely Place...Director of Photography | |
| 1950 | Father Is a Bachelor...Director of Photography | |
| 1949 | The Reckless Moment...Director of Photography | |
| 1949 | And Baby Makes Three...Director of Photography | |
| 1949 | All the King's Men...Director of Photography | |
| 1949 | The Undercover Man...Director of Photography | |
| 1949 | Knock on Any Door...Director of Photography | |
| 1948 | The Gallant Blade...Director of Photography | |
| 1948 | The Sign of the Ram...Director of Photography | |
| 1948 | To the Ends of the Earth...Director of Photography | |
| 1947 | Framed...Director of Photography | |
| 1947 | Johnny O'Clock...Director of Photography | |
| 1946 | So Dark the Night...Director of Photography | |
| 1946 | Gallant Journey...Director of Photography | |
| 1946 | Night Editor...Director of Photography | |
| 1946 | A Bird in the Head...Director of Photography | |
| 1946 | The Notorious Lone Wolf...Director of Photography | |
| 1946 | Meet Me on Broadway...Director of Photography | |
| 1945 | My Name Is Julia Ross...Director of Photography | |
| 1945 | Blonde from Brooklyn...Director of Photography | |
| 1945 | Eve Knew Her Apples...Director of Photography | |
| 1945 | I Love a Mystery...Director of Photography | |
| 1945 | Eadie Was a Lady...Director of Photography | |
| 1944 | Tahiti Nights...Director of Photography | |
| 1944 | Kansas City Kitty...Director of Photography | |
| 1944 | The Soul of a Monster...Director of Photography | |
| 1944 | Sailor's Holiday...Director of Photography | |
| 1937 | You Only Live Once...Assistant Camera | |
| 1935 | The Informer...Camera Operator | |
| 1932 | The Conquerors...Camera Operator | |
| 1928 | Love Over Night...Assistant Camera | |
| 1927 | The Yankee Clipper...Assistant Camera | |
| 1925 | The Iron Horse...Additional Photography | |
| 1923 | The Courtship of Miles Standish...Assistant Camera |
| 1969 | My Father: Gordon Parksas Self | |
| 1969 | The Moviemakersas Self |