This piece includes many iconographical elements that have evolved in Jonas’s practice since the early 1970s, including the mirror, the hoop and the dog. It epitomises her inventive approach to editing and an illusionistic style characterised by a wry humour. She has described the work as follows:
Joan Jonas
Director
Interstate 6073%
House Party63%
A Thousand Words61%
The Mask69%
Deuce Bigalow: Male Gigolo59%
Le Procès73%
Fur: An Imaginary Portrait of Diane Arbus61%
The Hot Spot63%
Saturday Night Fever67%
Black Mirror77%
What's Up, Doc?73%
20th Century Women73%
I Am Heath Ledger74%
Sucker Punch62%
A Night at the Opera74%
Crush73%
The Brave Little Toaster69%
Jexi67%
Alice in Wonderland62%
The Butterfly Effect75%
