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Frank D. Williams

Known For
Camera

Known Credits
2

Gender
Male

Birthday
March 20, 1893 (133 years old)

Place of Birth
Nashville, Missouri, USA

Frank D. Williams

Biography

Frank D. Williams (March 21, 1893 – October 15, 1961) was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot.

Frank D. Williams was born March 21, 1893, as Frank Douglas Williams, to James and Lucinda Williams in the small community of Nashville, Missouri.

In 1912, Williams became a cameraman at Keystone Studios. There, in 1914, he was the photographer for many of Charlie Chaplin's first-year pictures, including Kid Auto Races at Venice which was the first film released in which The Tramp appeared. Williams is credited as appearing in Kid Auto Races at Venice, playing a cameraman, but his appearance is in doubt. For a time he was chief cinematographer at Keystone, and a large number of the studio's 1914 films are credited to him as photographer. He defected to work for the short-lived Sterling Motion Pictures, but returned to Keystone when Sterling closed in 1915. He also worked a camera for Henry Lehrman's L-Ko Kompany, Reliance-Majestic Studios, and Bluebird Photoplays.

When Roscoe Arbuckle formed a new motion picture company, Comique, in 1917, he hired Williams to be his cameraman. At Comique, Williams also shot Buster Keaton's first film appearance, The Butcher Boy (1917). His tenure there was also short; he shot three films for Arbuckle (Butcher Boy, A Reckless Romeo, and The Rough House) before departing to start his own lab. His business did not get off the ground quickly, and he supplemented his income by continuing to work as a cameraman. He was director of photography at Sessue Hayakawa's Haworth Pictures Corporation and is credited with 15 pictures that came out of that studio between 1919 and 1921.

While he was working as a cameraman at various studios, Williams worked on his idea for a traveling matte in which the actions of actors would be combined with a filmed moving background. Available technology prevented him from achieving the effect he envisioned until he built a printer himself to his own specification. He filed for a patent in May 1916, and it was granted in July 1918. The process was first used in a motion picture in 1922's Wild Honey.

From Wikipedia, the free encyclopedia

Known For

Visual Effects

1933The Invisible Man...Visual Effects Supervisor

Crew

1927Sunrise: A Song of Two Humans...Special Effects
1920The Brand of Lopez...Cinematography
1920The Beggar Prince...Cinematography
1919The Illustrious Prince...Cinematography
1919His Debt...Cinematography
1918Secret Strings...Cinematography
1914His Trysting Places...Cinematography
1914His Musical Career...Cinematography
1914Gentlemen of Nerve...Cinematography
1914Dough and Dynamite...Cinematography
1914Those Love Pangs...Cinematography
1914The New Janitor...Cinematography
1914The Masquerader...Cinematography
1914The Face on the Barroom Floor...Cinematography
1914Laughing Gas...Cinematography
1914Mabel's Busy Day...Cinematography
1914Her Friend the Bandit...Cinematography
1914The Fatal Mallet...Cinematography
1914Caught in the Rain...Cinematography

Camera

1921The Swamp...Director of Photography
1921Where Lights Are Low...Director of Photography
1921Black Roses...Director of Photography
1920The Devil's Claim...Director of Photography
1919The Tong Man...Director of Photography
1919The Dragon Painter...Director of Photography
1919The Man Beneath...Director of Photography
1918Queen of the Sea...Director of Photography
1917The Rough House...Director of Photography
1917A Reckless Romeo...Director of Photography
1917The Butcher Boy...Director of Photography
1916The Vagabond...Director of Photography
1916The Floorwalker...Director of Photography
1916Hop - The Devil's Brew...Director of Photography
1914Tillie's Punctured Romance...Director of Photography
1914His Prehistoric Past...Director of Photography
1914Getting Acquainted...Director of Photography
1914The Rounders...Director of Photography
1914His New Profession...Director of Photography
1914Recreation...Director of Photography
1914The Property Man...Director of Photography
1914Mabel's Married Life...Director of Photography
1914The Knockout...Director of Photography
1914A Busy Day...Director of Photography
1914Caught in a Cabaret...Director of Photography
1914His Favorite Pastime...Director of Photography
1914Tango Tangles...Director of Photography
1914A Film Johnnie...Director of Photography
1914Between Showers...Director of Photography
1914Mabel's Strange Predicament...Director of Photography
1914Kid Auto Races at Venice...Director of Photography
1914Making a Living...Director of Photography

Acting

1914His Prehistoric Pastas Caveman (uncredited)
1914Kid Auto Races at Veniceas Cameraman (uncredited)