Through the diary entries of the film's main protagonist K., we learn about her return from post-revolutionary Russia to her home in Greater Syria, in which, after the collapse of the Ottoman Empire, individual communities are trying to find a way to autonomy. Thanks to the juxtaposition with the Russian past, presented through shots from Soviet film classics such as Esfir Shub's Spain or Kinoglaz by Dziga Vertov, and the Syrian present, portrayed through various mobile phone footage, the director draws parallels between two incompatible realities and creates a multimedia essay on neo-colonialism and independence.
Philip Rizk
Director
Directed by John Ford70%
For Sama83%
Sherman's March67%
Public Speaking70%
The Class of ‘9271%
Fuck64%
180° South72%
In the Realms of the Unreal71%
McQueen74%
Tricked: The Documentary61%
My Mom Jayne79%
John Candy: I Like Me78%
Cuadecuc, vampir61%
A Plastic Ocean75%
Maria by Callas73%
Lionel Messi: Destiny78%
Being James Bond77%
Bitter Lake75%
I Am Heath Ledger74%
Above Majestic73%