Known For
Camera
Known Credits
5
Gender
Male
Birthday
April 12, 1914 (112 years old)
Place of Birth
Bushey Heath, Hertfordshire, England, UK
Gilbert Taylor (April 12, 1914 - August 23, 2013) was a British cinematographer, known for his work in films including Dr. Strangelove, The Omen, and Star Wars.
| 2021 | Free Enterprise...Camera Operator | |
| 1987 | The Bedroom Window...Director of Photography | |
| 1984 | Voyage of the Rock Aliens...Director of Photography | |
| 1984 | Lassiter...Director of Photography | |
| 1983 | Losin' It...Director of Photography | |
| 1981 | Venom...Director of Photography | |
| 1981 | Green Ice...Director of Photography | |
| 1980 | Flash Gordon...Director of Photography | |
| 1979 | Meetings with Remarkable Men...Director of Photography | |
| 1979 | Dracula...Director of Photography | |
| 1979 | Escape to Athena...Director of Photography | |
| 1978 | Damien - Omen II...Camera Operator | |
| 1978 | Breaking Up...Director of Photography | |
| 1977 | Star Wars...Director of Photography | |
| 1976 | The Omen...Director of Photography | |
| 1974 | Soft Beds, Hard Battles...Director of Photography | |
| 1972 | Frenzy...Director of Photography | |
| 1971 | Macbeth...Director of Photography | |
| 1970 | Quackser Fortune Has a Cousin in the Bronx...Director of Photography | |
| 1970 | A Day at the Beach...Director of Photography | |
| 1969 | Before Winter Comes...Director of Photography | |
| 1968 | Work Is a 4-Letter Word...Director of Photography | |
| 1967 | Theatre of Death...Director of Photography | |
| 1966 | Cul-de-sac...Director of Photography | |
| 1965 | The Bedford Incident...Director of Photography | |
| 1965 | Repulsion...Director of Photography | |
| 1964 | A Hard Day's Night...Director of Photography | |
| 1964 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb...Director of Photography | |
| 1963 | The Punch and Judy Man...Director of Photography | |
| 1962 | A Prize of Arms...Director of Photography | |
| 1962 | It's Trad, Dad!...Director of Photography | |
| 1961 | Petticoat Pirates...Director of Photography | |
| 1961 | The Avengers...Director of Photography | |
| 1960 | The Full Treatment...Director of Photography | |
| 1959 | Alive and Kicking...Director of Photography | |
| 1959 | Operation Bullshine...Director of Photography | |
| 1959 | No Trees in the Street...Director of Photography | |
| 1958 | She Didn't Say No!...Director of Photography | |
| 1958 | Ice Cold in Alex...Director of Photography | |
| 1957 | No Time for Tears...Director of Photography | |
| 1957 | The Good Companions...Director of Photography | |
| 1956 | My Wife's Family...Director of Photography | |
| 1956 | The Silken Affair...Director of Photography | |
| 1956 | Yield to the Night...Director of Photography | |
| 1955 | As Long as They're Happy...Director of Photography | |
| 1954 | Seagulls Over Sorrento...Director of Photography | |
| 1954 | Front Page Story...Director of Photography | |
| 1954 | The Weak and the Wicked...Director of Photography | |
| 1953 | Sailor of the King...Director of Photography | |
| 1953 | The Yellow Balloon...Director of Photography | |
| 1951 | High Treason...Director of Photography | |
| 1951 | Circle of Danger...Director of Photography | |
| 1950 | Seven Days to Noon...Director of Photography | |
| 1948 | The Guinea Pig...Director of Photography | |
| 1948 | Brighton Rock...Camera Operator | |
| 1946 | School for Secrets...Camera Operator |
| 1961 | The Rebel...Cinematography | |
| 1957 | Woman in a Dressing Gown...Cinematography | |
| 1956 | It's Great to be Young!...Cinematography | |
| 1955 | Josephine and Men...Cinematography | |
| 1955 | The Dam Busters...Special Effects | |
| 1954 | Trouble in the Glen...Cinematography |
| 2003 | Two Gangsters and an Islandas Self | |
| 2003 | A British Horror Filmas Self | |
| 2002 | Things They Said Todayas Self | |
| 2000 | Inside: 'Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb'as Self - Director of Photography | |
| 2000 | The Art of Stanley Kubrick: From Short Films to Strangeloveas Self |
