A complement to the previous film (Numéro 4, 1989) : the fictional hero has the power to stop the projector, returning the cinema to its photographic origins, killing its motion. Having the unfortunate idea of taking his self-portrait, he finds himself caught in a photograph, condemned to live in the fleeting reality of the single frame.
Pip Chodorov
Director
Gone Nutty70%
La Cité de la peur74%
Le déshabillage impossible64%
The Cabinet of Jan Švankmajer69%
Cigarette Burns73%
Nightfall69%
Classe tous risques70%
Tension67%
Jay and Silent Bob Strike Back64%
Les Cent et Une Nuits de Simon Cinéma61%
Le Retour du Grand Blond65%
Beau Hunks68%
Oncle Yanco72%
125 rue Montmartre75%
The Jester: Chapter 375%
Mabel's Married Life59%
Nos batailles64%
I'm Not Here58%