"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
César González
Director
El Apocalipsis de san Juan82%
McQueen74%
In the Realms of the Unreal71%
Making Waves: The Art of Cinematic Sound69%
Capitalism: A Love Story70%
Iron Maiden: Burning Ambition86%
The Cutting Edge: The Magic of Movie Editing70%
Audrey71%
For Sama82%
Room 23761%
Naqoyqatsi61%
Koyaanisqatsi79%
Everybody’s Everything84%
Visions of Light70%
Mifune: The Last Samurai71%
Padomju stāsts73%
Baraka82%
Frank and Ollie74%
Fuck64%
Maternal Instinct71%