Tabu, a mythical tale shot in Tahiti, is yet another key to Ottinger’s cinema. Aloha is a dedication to Murnau, as well as Gauguin, Matisse and her other predecessors whose hearts and eyes had been enchanted by foreign cultures. By juxtaposing footage and outtakes from Tabu with scenes from her own films, the director creates a dialogue between fictional universes separated by time and space. A fish is caught by islanders in 1931 and eaten by pirates in Madame X forty years later. What is this film if not an ironic commentary on artistic legacy and succession?
Ulrike Ottinger
Director, Writer
I Want to Return Return Return67%
Extremis69%
The Curious Birth of Benjamin Button69%
McQueen74%
Seduced and Abandoned62%
Avatar Spirits81%
A Plastic Ocean75%
The Class of ‘9271%
Lovecraft: Fear of the Unknown72%
Sherman's March67%
Champs63%
Heart of a Dog65%
Capital in the Twenty-First Century65%
Tricked: The Documentary61%
Brother's Keeper70%
Directed by John Ford70%
Hell and Back Again63%
Ex Libris: The New York Public Library64%
Finders Keepers65%
Avatar: Creating the World of Pandora64%
