Between 1950 and 1952, the Uruguayan essayist, critic and writer José Pedro Díaz created a film diary with images that display a range of diverse interests: social observation, the portrait of the artistic-intellectual community in Europe and a look at domestic cinema from travels, portraying his wife, the poet Amanda Berenguer. As a perfect complement he also had a literary diary. Both form a unique testimonial chronicle: how to read the script and see what was filmed. This documentary deals with that lesser-known area of Díaz's work.
Aldo Garay
Director
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty77%
McQueen75%
Seduced and Abandoned62%
The Class of ‘9271%
Directed by John Ford70%
Anna Nicole Smith: You Don't Know Me60%
My Mom Jayne80%
I Am Heath Ledger74%
Sherman's March64%
Lionel Messi: Destiny78%
A Decade Under the Influence79%
Love, Antosha74%
Interstellar: Nolan's Odyssey77%
John Candy: I Like Me78%
La Casa de Papel: el fenómeno74%
In the Realms of the Unreal71%
The Godfather Family: A Look Inside77%
Naqoyqatsi61%
Extremis69%
180° South72%
