Schriftfilm functions according to the principle of the cadavre exquis or that of a textual machine that one finds in well sorted bookstores: On screen we see alternating nouns on top, and alternating verbs underneath. Some actually ‘fit’ such as “man walks”... ; while others might only ‘fit’ in a more extended sense “man burns,” “water breaks”... ; while others only ‘fit’ poetically “water screams,” “stone runs,” “sun falls”... ; and in this context the conventional language=meaning-logic disappears behind the pure word=meaning-presence. “Stone runs” is exactly as significant as “man walks,” whereby “man walks” through the very presence of “stone runs” appears to be something extraordinary, and “stone runs” becomes something entirely true and possible.
Marc Adrian
Director
Liberty68%
How It Feels to Be Run Over59%
The New Janitor62%
His New Profession59%
The Laurel-Hardy Murder Case68%
Vincent78%
The Chaplin Revue73%
The Finishing Touch69%
Dick Johnson Is Dead71%
From Soup to Nuts66%
A Night in the Show62%
Me and My Pal64%
Stellar64%
Frankenhooker63%
Mabel's Married Life59%
The Fixer Uppers68%
Dog Star Man: Part II63%
The Life and Death of 9413: A Hollywood Extra66%
Dough and Dynamite61%
A Woman60%