Known For
Camera
Known Credits
1
Gender
Male
Birthday
August 19, 1902 (123 years old)
Place of Birth
Huntington, Indiana, USA
| 1958 | The Girl Most Likely...Director of Photography | |
| 1957 | Jeanne Eagels...Director of Photography | |
| 1957 | The Young Stranger...Director of Photography | |
| 1956 | Diane...Director of Photography | |
| 1955 | Moonfleet...Director of Photography | |
| 1954 | Athena...Director of Photography | |
| 1953 | Things We Can Do Without...Director of Photography | |
| 1953 | Torch Song...Director of Photography | |
| 1953 | Scandal at Scourie...Director of Photography | |
| 1953 | Remains to Be Seen...Director of Photography | |
| 1953 | Lili...Director of Photography | |
| 1951 | Texas Carnival...Director of Photography | |
| 1951 | Royal Wedding...Director of Photography | |
| 1950 | Summer Stock...Director of Photography | |
| 1950 | Please Believe Me...Director of Photography | |
| 1949 | The Doctor and the Girl...Director of Photography | |
| 1949 | Madame Bovary...Director of Photography | |
| 1949 | Little Women...Director of Photography | |
| 1948 | The Three Musketeers...Director of Photography | |
| 1946 | Love Laughs at Andy Hardy...Director of Photography | |
| 1946 | Up Goes Maisie...Director of Photography | |
| 1945 | Week-End at the Waldorf...Director of Photography | |
| 1945 | Anchors Aweigh...Director of Photography | |
| 1944 | Maisie Goes to Reno...Director of Photography | |
| 1944 | The Canterville Ghost...Director of Photography | |
| 1944 | The White Cliffs of Dover...Director of Photography | |
| 1943 | Girl Crazy...Director of Photography | |
| 1943 | Above Suspicion...Director of Photography | |
| 1942 | Reunion in France...Director of Photography | |
| 1942 | Eyes in the Night...Director of Photography | |
| 1942 | Her Cardboard Lover...Director of Photography | |
| 1942 | Ship Ahoy...Director of Photography | |
| 1941 | When Ladies Meet...Director of Photography | |
| 1941 | A Woman's Face...Director of Photography | |
| 1940 | Escape...Director of Photography | |
| 1940 | Susan and God...Director of Photography | |
| 1940 | Strange Cargo...Director of Photography | |
| 1939 | Time Out for Lessons...Director of Photography | |
| 1939 | The Man in the Iron Mask...Director of Photography | |
| 1938 | The Duke of West Point...Director of Photography | |
| 1938 | Always Goodbye...Director of Photography | |
| 1938 | Kentucky Moonshine...Director of Photography | |
| 1937 | Thin Ice...Director of Photography | |
| 1937 | This Is My Affair...Director of Photography | |
| 1936 | The Last of the Mohicans...Director of Photography | |
| 1935 | Red Salute...Director of Photography | |
| 1934 | Our Daily Bread...Director of Photography | |
| 1934 | The Moonstone...Director of Photography | |
| 1934 | Money Means Nothing...Director of Photography | |
| 1933 | Yo, tú y ella...Director of Photography | |
| 1933 | Una viuda romántica...Director of Photography | |
| 1931 | The Secret Witness...Director of Photography | |
| 1930 | The Bat Whispers...Director of Photography | |
| 1930 | Be Yourself!...Director of Photography |
| 1955 | The King's Thief...Cinematography | |
| 1955 | Poet and Peasant Overture...Cinematography | |
| 1954 | M-G-M Jubilee Overture...Cinematography | |
| 1953 | Overture to The Merry Wives of Windsor...Cinematography | |
| 1952 | The Belle of New York...Cinematography | |
| 1937 | We Who Are About to Die...Cinematography | |
| 1935 | The Melody Lingers on...Cinematography | |
| 1933 | It's Great to Be Alive...Cinematography | |
| 1930 | Reaching for the Moon...Cinematography |
| 1941 | You Can't Fool a Cameraas Himself (as Robert Planck) |
