Known For
Directing
Known Credits
1
Gender
Male
Birthday
October 18, 1936 (89 years old)
Place of Birth
Milwaukee, Wisconsin, USA
Fred Barzyk is an American television director and producer known for his avant-garde work in public television. During his tenure at WGBH in Boston, he directed and produced innovative programs such as The Lathe of Heaven (1980) and Between Time and Timbuktu (1972), the latter based on the works of Kurt Vonnegut. Barzyk's contributions have been recognized with multiple awards, including the Venice Film Award for Best Television Director Worldwide in 1985.
| 2001 | The Electronic Canvas...Executive Producer | |
| 2000 | A History of America...Producer | |
| 1985 | The Star-Crossed Romance of Josephine Cosnowski (a Tale of Gothic Love)...Executive Producer | |
| 1984 | Countdown to Looking Glass...Executive Producer | |
| 1982 | The Great American Fourth of July and Other Disasters...Executive Producer | |
| 1980 | The Lathe of Heaven...Producer | |
| 1975 | Video: The New Wave...Producer | |
| 1971 | Jean Shepherd's America...Producer | |
| 1971 | Jean Shepherd's America...Executive Producer | |
| 1969 | The Medium Is the Medium...Executive Producer |
| 2000 | A History of America...Director | |
| 1989 | The Cheats...Director | |
| 1985 | The Star-Crossed Romance of Josephine Cosnowski (a Tale of Gothic Love)...Director | |
| 1984 | Countdown to Looking Glass...Director | |
| 1982 | American Playhouse...Director | |
| 1980 | The Mystery of the Morro Castle...Director | |
| 1980 | The Lathe of Heaven...Director | |
| 1976 | The Phantom of the Open Hearth...Director | |
| 1975 | Video: The New Wave...Director | |
| 1973 | Art in Public Places...Director | |
| 1972 | Between Time and Timbuktu...Director | |
| 1971 | Jean Shepherd's America...Director | |
| 1966 | NET Playhouse...Director | |
| 1963 | The Negro and the American Promise...Director |
| 1980 | The Mystery of the Morro Castle...Writer | |
| 1972 | Between Time and Timbuktu...Writer |
| 2017 | Raymond Roussel: The Day of Gloryas Self |
